The fiona, spun sangria, and the warehouse party house

The bar as I sat with a glass of whiskey in my hand was a pale oak sheen, and there were bottles lined up, and tins of tincture powders like a drugstore. I was not ready for what happened. I had already been at a feast, and outdoor garden picnic, an indoor corridor twice met, a crowded bar where I met an old friend, and Michel was there in all contexts mostly speaking cryptic close words, in a huge warehouse while I was wrapped in red silk. He said the number nine, and merged into the couch, with green hair. The warehouse and the party, the quiet scenes in the corridors, and now this; Fiona.

The first thing I noticed was the thing she wore on her hand. I heard her speak and glanced only twenty degrees to my left. She had an orange webbing with blue pale jewels woven into the sunset macrame. It instantly imbued her with an energy. “I didn’t want to sit here without saying anything she said.” and this was a caveat and a ruse, because as I turned toward her, she began.

The device she had in her other hand was a spinning liquid dispenser made of bronze with two holes releasing amber and chartreuse liquid. SHe was spinning it’s ellipse-shape and  alcohol was somewhat falling into the tumbler in front of her. I had to back away slightly because it was falling on the floor. THis did not stop her! I glanced behind me and an entire chorus of men in suits were singing a song in gaelic.”FIOONA, CE!!!” THis is how I knew her name was FIona. THey clearly were singing for her in the sort of swelling chant  which erupted accompanied by unknown drums. This fueled her motion. I grasped my whiskey.Joe was there. He started to help the spinning liquid machine Fiona wielded. Others held a huge tub with rinds and fruit suspended in the liquid sangria. I realized the liquor fest had begun. Fiona was the spirit, the song, the drink. It was invoked. This had promise, but then I awakened.

Earlier I entered the bar upstairs in the lightness. As I was walking through the dim corridor to arrive, Michel met me. He put his arms around me in a hug. It was familiar, and instantly too much to be embraced alone by anyone but Joe. He came with me into the bar, like a shadow to my right. I felt odd to be with him going into this wild packed room. A woman began telling me a story and Michel slipped off. I could not listen to the rest of the story because Beth, my childhood friend was there. This time with her little sister Laura, all grown up, and her husband and new baby which he carried. Beth showed me a program from some event she had gone to. While we weren’t in Germany as far as I could tell, one of the programs was called, “Looking toward the Panzer’s” It cost 2,800 for the trip. I scanned the document which was a receipt as well, with my careful intensity reserved for Scorpio’s private curiosities. I saw that they had indeed paid the $2,800 for the Panzer trip. I embarrassed myself by telling her I noticed that they had paid for it and since I knew she had gone to Germany after high school, I let her tell me…”Actually, we’re going tomorrow!”  I couldn’t believe it. I have been studying Huertgenwald’s famous  1944 campaign. As I slip off to find Joe, there is no sign of him. I return to the dark corridor with it’s slate grey berber carpet and sloping inset lights like an aquarium, He is standing in his leather jacket and dark jeans in a wide stance at the bottom of a ramp. I wrap my arms around him. “I’ve been looking for you, ” He said, “I’ve been looking for YOU.” I say.

“What have you been up to ?” I ask. We go outside to where there is a circle of burned grass. He sort of trails of as if this is explanatory in and of itself.

Earlier in the warehouse he’d sat next to me after Michel dissipated and I had felt the soft closeness as I turned up toward Joe’s face and smiled just for him. The couch seemed hung 20 feet above the floor and we watched a woman come in with big placards of wood with a white veneer and tarot -like images. Her task was to paint something on them and bring them back to the vendor she’d worked things out with. It turned out to be Eliza Urtiaga. SHe did a wide plie and did not screech as she often does, nor giggle, which was a relief. Old wooden tracks seemed to be taking someone away in punishment animatronically with a puppet jaw. This room was mostly empty. I wondered if I ought to be making more contacts with the people in the village.

Garden party, money in the rice…

&~~

Prologue: As I was cooking breakfast, I recalled the most important thing which was a vision that came to me between sleep and wakening. A man called “the rock” was shown driving…HE HAD THE SECRET. He looked like my great uncle pete, Carl L. Peterson the II in a photo I saw of him in the seventies on a hike(perhaps when he took on the APpalachian)

What he knew was this:  It was a brain. It was an object in the shape of a brain that flashed to me. The thing about it was…it was his. He had his own brain. He got to make solid thoughts in his own brain. He formed them. They were in corruptibly his own because he knew how to put them there and how to keep them there. It is an oubliette of one’s own mind that is required. Go inward and form your own brain theoretically, abstractly, and then actually. 

 

 

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Alien Bar

We must use the alien technology. In the real quiet air of the salon you wanted to stay. The people were in place but filling the air with self un-poisoned by some erractic music. They were filled with a self-possession that stills people like jazz mutes the motion and they wore fedoras and stares; the whole thing of it you liked. We sat and had conversations while it rained. Alien food, filets, and pink almost creamed roe. A green cat stared, a tiny neonate on a lap peered over darkened wood. Tea brewed. The woman with silver embellishments and turquoise, darked eyes, went back to sleep in the hotel room for five days of sleep, happy song on her lips to be alone. I held cards in my hand and tried to say we must never say what we saw here. I was corrected. We must share the technology. IN an instant, almost a lump in my throat I saw why. It was a series of wooden rails heading skyward in a factory. There was a whirring and a flapping of tiny wooden flaps. I nailed in nails. It was so simple and yet it had a perfection I cannot name. I watched her leave to go sleep. Her beauty and self-suficiency were inside me like a memory. I stood shaking the blue skirt filled with cranberry paisley, and silver near a mirror above a small wooden table. I went out into the darkness and entered a convenience store somewhere at midnight on a hill where you could feel the earth larger than the buildings;a manna pool around it’s concrete shell. It was one of those places that is respite because it has human build to it in a place of large earth-dark forces, where wisps of heather, and moor grass even appearing as spirits in the halogen lights.  Inside past the smoked bullet proof glass, the proprietess behind her small packs of wares, a larder of tiny pills, and impersonal cartons of condoms, or advil(either really). I turned and the tiny shack opened into the dim almost waxy, paraffin of music venue floors. Wooden equipment ramps, signage indicating the temporal atmosphere of an occasion. I saw pin up magnets and then I talked to the woman with red lips and her name was Susanna Lou or some other staged, two-part name.  She invited me somewhere to perform.

&~~

Costume poems fire and cake

The main dancer deconstructed her costume for us. She had fluffy sea-foam green shoulder wings and a black and gold shimmery black cloth with odd clasping salamanders(like the knight of wands). They were mechanical and alive. Outside in the clearing, blue and gold belly dancers whirled for a moment. The storefronts in the street below seemed smaller and less important than the packed earth and the embankment that I prepared behind. Somehow I had forgotten my book of poems. Someone had a large book that had one of my poems. I also had a thumb flip book of poem like scribbles. I nervously read scraps from this aloud until I was handed the large book. It was written in dream script, clear until observed, then it wavered and was small; hard to read. It was full of onomonopeisms and I read them in a musical lilt. Then there was a fire to the left and downstairs. We left  carefully with not urgency, but I did have a warm cake in a bag which I could feel as we left.

&~~

we are young supernovas

I’m in an abandoned shopping mall with two others. We’re not entirely sure what’s going on. The world seems to have stopped turning, and most people have disappeared. We’ve heard that a few, whom we don’t care for very much, are still lurking about. We have this strong inkling that it would be a terrible idea to leave the mall. It’s dangerous outside — maybe zombies, maybe thieves, maybe our arch nemeses.  But than again, it’s dangerous in the mall too. We are in it, and we’re growing more desperate every hour. The only food is a buffet table with baskets full of black putrefying bananas. The two others are good people. I know they are, but this situation is getting to us, and we are growing distant and locked into our own minds. One is male, he has short blond hair and he’s physically fit — he reminds me of my childhood friend, Justin. The other is female, named Tali, she is also fit with blond hair — I know her.

I’m walking past the buffet table, it’s on my right. I keep walking and the outside wall is gone. Crystal blue waters are lapping against the pink tile floor. The ocean has come for us. The water is shallow by the end of the mall, but there is a large sand pool just a few meters away, and a tiger stares at me hungrily from that pool. We cannot leave by sea. I quickly retreat back into the mall and see a large silo. It has no doors, but it has a ladder. I race up it to see how fast I can get off the ground — I know that tiger will come for me eventually, and it’s a safe place. I get to the top and the hatch opens, but it is small, and the roof comes to a triangular point anyway. The walls are wide, and the ladder is made of thin round metal — it’s very uncomfortable, I couldn’t last up here for more then a few minutes.
I climb down and go back deeper into the mall. I see Justin, he says “He’s coming!”, and bolts past me. I follow and when I round the corner, he’s in one of the elevators, but the door quickly closes before I get in. I don’t know where Tali is, but I hope she is well hidden in one of the hotel rooms upstairs — “He” is coming to find her really, not us.  I hide in a darkened corner for a bit, and then make my way towards the silo. As I’m walking past the buffet table “He” is there. The bananas are all yellow and plump, and he has a smirk on his face. He’s a round man of medium height, I’ve never seen him before, but just through his smile and smell I know I never want to again. He’s running his fingers over the bananas, they are a present for Tali — there’s hundreds of them. We make are way to the crystal blue waters — our eyes locked into each others’ feverish gaze. He is confident and unafraid. He standing with his back to the ocean. It is dark now and three moons hang above the water, each within its own phase. Justin is there. He begins punching the fat man on the face, the man make no motion. Justin steps to few paces left. They are both staring at me, entranced, muttering, muttering in some foreign language. The man breaks his rapture and grabs a sword out of a tall bejeweled umbrella vase and slices Justin’s right arm. He drops the sword in front of himself pleased and fearless of retaliation. He raises his shirt to reveal his round belly as a meaty grin stretches across his face. Justin grabs the sword and slices him longways just above his bellybutton. At first nothing . . . and then a thin red line appears, and then it opens wider and wider, redder and wider — then streams of blood and gobs of guts gush out of him. He collapses to the floor unnaturally, like a Jacob’s Ladder. Eyeballs and living rats slither out of his ghastly wound. His face is white, mouth agape; his skin wrinkly and thin, hanging off his bones, too big for his deflated body.
We race back to the elevators and call for Tali. We decide it’s time to brave the greater world.

We’re in a truck driving through a small town. People are about. Nothing seems wrong.
Is nothing wrong? Were we wrong??
I see my friend Rachel, and tell her to climb into the truck, she does and we start driving out of town. With her she brings a peace that we’ve forgotten. The road vanishes and we are speeding through a field of large flowers, every peddle a different color; and although it is night, their glimmer is spectacular. They seem pixelated, as if we are in a digital film or video game. I look behind us and the flowers are fine, our tires do not crush them. We are light and laughing and quickly approaching the ocean and its moons — with no intention of slowing down when we meet them. ♨

moist red walls and swimming vegetables

I’m back in Viet Nam in a house which looks more like a cave-like clay hut. Some girl (and her father?) is with me and painting the walls in dusky pink and bright red. The walls are too soggy for the paint and I think the typical light green one would be better. The wallpaper is soaked and the coat won’t become even, but I’m telling the girl that it’s alright.

I’m in the locker room of a public swimming pool  but it looks more like a youth hostel dorm.
I’m talking to a fellow student about how fast I usually swim and what the record at this pool is.

I’m preparing broccoli and it’s getting too soft-boiled. ☆

psychovegetal biology

I’m writing my psychological biology exam and know that I’m failing. It’s kind of a multiple choice test and it has several pictures in which the examinees shall mark mistakes with a cross. I somehow know that there are parts of cells and their components on the pictures, but all I see are the vegetables I cooked the day before: green beans, broccoli, carrots, cauliflower…. The task makes no sense to me and I just tick the broccoli on every picture and fail the test. ☆

a small sacrifice

I am preparing two women to be sacrificed. They are in a bird cage in my parents’ family room. I’m upstairs and annoyed that I forgot to remove their clothes, and I am nervous for them. Of course they won’t want to remove them when I instruct them to do so, but the flames will be more painful if they don’t. To my surprise they are nude when I arrive downstairs. This is the second time I have had to prepare women to be sacrificed by fire — in fact, it seems like I have prepared these very two women before (perhaps that is why they removed their clothes). I feel bad for them, I can only imagine how they feel knowing what awaits. I’m sure they are nice ladies, I’m not doing this to be mean, it just has to be done. If freeing them was an option, I would — but it isn’t. The sacrifice must be made.
As my brother, Bobby, and I are loading the cage with crumpled newspaper I see that he left them two large plates of bird food. I’m annoyed because there is too much, and if they eat it all they will be in even more pain when the fire is lit. But there is nothing I can do about it, and rationalize that the food will be a good sacrifice too — besides, they will escape if attempt to get it out.
As I’m loading the cage, the moaning, screaming women turn into beautiful birds. They are flying about and franticly trying to escape when I open the small door to load the newspaper. I know that even if they were to escape there is noway for them to get out of the house. They would be better off not fighting so hard for life and instead contemplate their short time left embodied on Earth. One of them succeeds in getting out of the cage however, and immediately after she attacks my arm with her beak. The pain wakes me up in the middle of the night. ♨