a tranfiguration

I am standing on the utmost peak of a jagged mountain. It is a moonless, pitch black night. The lightening flashing around me is the only source of light. My naked body is hunched over a pale rock. I am sweating, muttering words in a language I don’t know . . . words that come to me as if whispered by a worm inside my skull. They have a ghastly power, and the world around me changes as I untangle the invidious words from my stern lips. The wind begins to rip through the pulsating darkness like an estranged uninvited guest. And I see, in the frantic flickering light, the mountains grow and topple, the vast cracked desert expand endlessly, the dark seas come rushing in. All on my whim. All on my whim!

I am alone in this world — it is me, and I am it.

But wait! What’s this? Something is happening to my body! I am undergoing a metamorphosis. I twitch against the pale dank rock. My fingers and arms elongate to my knees, my eyes sink into my hallow skull. Ribs sharpened, stomach turned in. My skin, a pasty blue.
And when all this horror has ceased I see that my testicles have dropped and become like flat stone tablets. But they are spongy, dense, and soft, still connected to my groin by a long thick pinkish tube. Though they are heavy, I can lift them with my long crooked arms. On the tablets are more words . . . more terrible words I don’t understand.

Should I read them?

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dolphin safe

I’m standing on a rickety pier, surrounding me throbs and swells a black angry ocean. No land in sight. The sun beating on my neck, the still empty blue sky above. I’m fishing with only a hooked line and a short thick stick. No bait. Despite the pitiful tackle, I am able to throw the 3-pronged hook far off into the rough waters. I use the stick to help me reel it in by twisting the line around it. My bare hands covered in thin red lines.
On one throw the hook lands centered in a pod of playing dolphins. I love dolphins. I immediately start to reel in the line as quickly as I can — nervous because I don’t want to catch one on the hook.
SHIT! . . . Got something! . . . please don’t be a dolphin . . . please don’t be a dolphin . . . please don’t be a dolphin . . . .
I’m frantically twisting the line around the stick — it’s dragging something, something big, something heavy. My arms, hands, and fingers strain and ache — my tension builds as the struggling creature is desperately tugged closer . . . please . . . I don’t want this to be true. Sharp pains running from my fingertips to the base of my neck. Closed eyes . . . please don’t be a dolphin . . . please . . . .
Then I see . . . it’s not a dolphin!
My dear friend, Katie! . . . the hook is through her nose!
I collapse to my knees and break out into uncontrollable tears. She reassures me that she is fine while yanking and twisting the gnarled hook from her nose and climbing from the cold black water. But it doesn’t matter. I’m devastated — reminded of every time I have unintentionally hurt someone that I love. A deep hopelessness swallows my mind as dark clouds close in and spiral violent above me. My sobs growing louder, the sky cracks open, and frigid raindrops pierce my heart. My breath becomes the turbulent surface of the untamed sea — and I vanish within everything surrounding me.

I wake gasping for air. And the lyrics of a song immediately possess my mind — they soothe and cradle my sadness as I try to fall back into sleep.

Nicotine Incubus

I have 4 different categories of dreams. Tonight I will talk about one of them. You all probably know about the Incubus; the demon that sits on your chest while you are asleep and suffocates you. I have a Nicotine Incubus. The only reason I say this is that I spend substantial amounts of my life not smoking and have come to make a distinction between dreaming with nicotine in my system and without.  When I am smoking, here is one kind of recurring dream I have:

There is a transitional time between wake and sleep. This dream always happens just about 15 minutes after I have started drifting, and am in that in between period of sleep and wake.

I become dizzy. My head is spinning. It feels very, very heavy. I know it is happening and I try to wake myself. I usually can not. A loud noise, like guitar feedback, scraping nails, screaming, and some kind of engine, deep and full, all start spinning around in my head. I am being pulled deeper into my pillow. I really want to wake up but the intensity and heaviness increase- the noise gets louder and louder- so I become less and less able to wake myself. I am being pulled down.

I sometimes am able to realize I have a choice. If I am feeling strong, I make the right choice. I start to fall. I am in a standing position and begin to fall face down. I trust myself. I am able to fall in slow motion. Just before I hit the floor, I begin to hover. I hover well if I am feeling strong. It is like flying except I am only 3 or 4 feet from the ground. I search out things. Sometimes I can control it. Sometimes I find naked women. Sometimes I just go through earthen tunnels; underground worlds.

The dizziness comes back, the noise, screaming metal sounds. I realize I must awake because I am not able to breathe. I see myself on the bed. I have hovered to myself. On the count of three I will wake up. 1,2,3, Wake up! I think I am awake but the noise starts again. I tell myself I will throw myself on the floor, out of my bed, and do so. I think I am awake, but I am not. I am still being pulled down. I am gasping for breath. The gasping is what wakes me. I look around. I have been still. I haven’t tossed or turned. I am not on the floor. I stand up and am dizzy. I can’t see well. I have to stay out of bed because I know that if I lay back down I will immediately be pulled back in.

The Dream of Change

weasel’s watermelon accordion

~note: I performed the Varuna  Mudra for an hour before bed. (Releasing…)

The gift was a video. I was handed this after being subjected to a strange box. It was a recording of the experience, an absurd moment recorded in a terror box that I had been strapped into, examples of Jackson’s fourth grade homework, and a third unknown segment. My ex who now seemed to be shorter than me, handed me a card that said “Happy seventh” and kissed my cheek with a hug. I think I mumbled something. I saw that his version of this “gift” had been pictures of himself in semi-erotic moments. The terror box for him had forced him to watch pornography and had taken snapshots of it.  When they took me up to take my picture in the box, it was rushed.  The facilities were like an airport or a hospital room.  I insisted I needed to take my contacts out so I quickly did and put them in my mouth after one of the employees said they would be blasted out of my eyes in no time flat.  “Hold on” they said and I was plunged backwards into a blackness upside down not knowing what to expect.

The second sequence was humiliating. It was some pillowy space which was part of the recording experiment.

When I came out I was given the video whether I wanted it or not; I was given the hug and gift.

I walked on in a dress. I had a small child following me. We were looking for a way back into the building. We were stopped by Latino men. The little girl hid. I was worried about her.  Wherever we were going, it seemed like the way was stuck. There were ramps of concrete and a low ceiling.  I began to speak in Spanish.  But my Spanish was incorrect.

Watching a children’s production from above as though looking into a playhouse.  A girl showed a weasel that moved things around.  There was only a square the size of a garage in which they performed their tiny acts, and the girl with long dark hair and dark eyes proudly stood in the corner.  Her weasel moved an apple. Her weasel seemed to be trained. Then the weasel produced another fruit and began to gracefully carve teeth in its watermelon flesh, dark green.  It had a smile now, the watermelon, or a grimace. It was a transformation where the weasel would symmetrically remove the pieces. It became an accordion made of fruit. It played a brief and unrecognizable tune. Jackson had a turn. He was in the back of the playhouse now and there were other kids.  Jackson’s face was grim. The child mention something about death and his father. A boy behind him mocked him saying he had death at his house. I took a can, or a box in place of the mean boy, and railed against it saying that it shouldn’t say such things.

Leaving the place there was this terrible sense that someone would make fun of me or ruin my car or hurt me.  The cars were parked in a field.  The two fat kids on the way out were friends.  As I got to my car, which was my old yellowish tan Volkswagon with the purple tinted windows.  I was relieved.  I zoomed down the grass hill and onto the road and then J was there beside me, and he mentioned something about how it would be like that with Jackson, zooming so carelessly, intimating a slight disapprobation at my driving.

&~~

black snow

It’s a red night, and the city’s narrow streets are full of a gritty blackish slush, 3 sloppy inches thick. My feet are getting wet and spirits low. I’m looking for someone — for my brother, Joseph. We were doing a photo shoot of a fucked up version of the “Alice in Wonderland” tea party. Everyone involved is getting anxious, and I am worried that they will turn violent soon. Their teeth have been removed for the shoot, and they look terrified and resentful. Where is my damn brother! If I don’t find him soon these toothless freaks will rip me apart with their wooden hands and black gums. ♨